By Norma Rosen
For Norma Rosen, the Holocaust is the valuable occasion of the 20 th century. during this booklet, she examines the connection of post-Holocaust writers to their paintings by way of topic, language, imagery, and dealing with as much as the duty of writing in a post-Holocaust period. She considers the paintings of such significant impacts on our time as T. S. Eliot, Simone Weil, Anne Frank, E. L. Doctorow, Norman Mailer, Eugenio Montale, Philip Roth, and Saul Bellow. injuries of effect combines severe research with own reaction and autobiographical moments. It comprises quotidian encounters in friendship, intercourse, society, paintings, politics, reaction to violence, and non secular observance, which fight for ethical floor during this post-Holocaust period.
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Additional info for Accidents of Influence: Writing As a Woman and a Jew in America
Jewish life, for these writers, has no truth other than the possibly debased form in which it comes to them via family connections. George Eliot in Daniel Deronda created idealistic Jews as well as materialistic ones, and Charles Dickens tried to balance Fagin by very different Jewish characterizations in later books. I get the feeling that Shakespeare had more compassion for Shylock than some Jewish writers for their characters. Could this be a picture of Jews about to go to the gas chambers—these selfish, selfdeluding pastryeaters?
Her frail and brilliant life holds all the keys to the great moral question confronted here. Having fled with her parents to America to escape the oncoming Nazis, she contrived to get back to England where she wrote and planned with her friends for the resistance of the Free French Forces, contracted tuberculosis and died of starvation caused by her efforts to limit her nourishment to something less than what a French worker would eat during the German occupation. " Indeed, the fleshing out of the life, though done with continued reverence by the biographer, gives us deeply disturbing vignettes—so many that only a few can be referred to here.
And it will be as if Simone Weil, who set herself the task of a lifelong meditation upon human injustice, had devoted her time to traffic violations, while all around her the air rang with cries of murder. Peter's Jewish mother passed for German. His declaration of being a Jew was to them an act of willfulness. They are the testament of one who began as the Jew Hitler made and who ended as one who chose to be a Jew. The father, for example, goes on writing plays under Hitler, the stepfather divorces Peter's mother and takes an Aryan wife, the Jewish grandfather dies alone, the Jewish grandmother is taken to a camp and gassed.
Accidents of Influence: Writing As a Woman and a Jew in America by Norma Rosen