By Megan Leitch
Romancing Treason addresses the scope and value of the secular literary tradition of the Wars of the Roses, and particularly of the center English romances that have been distinctively written in prose in this interval. Megan Leitch argues that the pervasive textual presence of treason throughout the a long time c.1437-c.1497 indicates a manner of conceptualising the understudied area among the Lancastrian literary tradition of the early 15th century and the Tudor literary cultures of the early and mid-sixteenth century. Drawing upon theories of political discourse and interpellation, and of the facility of language to form social identities, this publication explores the ways that, during this textual tradition, treason is either a resource of anxieties approximately neighborhood and id, and a manner of responding to these issues. regardless of the context of many years of civil warfare, treason is an understudied subject regardless of regards to Thomas Malory's celebrated prose romance, the Morte Darthur. Leitch for that reason presents a double contribution to Malory feedback by way of addressing the Morte Darthur's engagement with treason, and through analyzing the Morte within the hitherto missed context of the prose romances and different secular literature written via Malory's English contemporaries. This booklet additionally deals new insights into the character and chances of the medieval romance style and sheds gentle on understudied texts resembling the prose Siege of Thebes and Siege of Troy, and the romances William Caxton translated from French. extra greatly, this booklet contributes to reconsiderations of the connection among medieval and early smooth tradition via targeting a relatively ignored sixty-year period -- the period that's quite often the dividing line, the 'no man's land' among well--but separately-studied sessions in English literary experiences.
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Additional resources for Romancing Treason: The Literature of the Wars of Roses
However, only Malory’s late fifteenth-century Launcelot speaks these words. 29–31). For further laments about ‘this world’, see the final section of Chapter 2, and the poem written (its recorder claims) by Anthony Woodville when incarcerated at Pontefract in 1483 (John Rous, Antiquarii Warwicensis Historia Regum Angliae, ed. by Thomas Hearne (Oxford: Fletcher, 1745), p. 214, lines 2–3). (3) William Caxton, Godeffroy of Boloyne, ed. by Mary Noyes Colvin, EETS ES 64 (London: Paul, Trench, Trübner, 1893), pp.
A. Griffiths (Manchester: Manchester University Press, 1972), pp. 29–48 (pp. 29–30 and 36); John Watts, Henry VI and the Politics of Kingship (Cambridge: Cambridge University Press, 1996), pp. 111–12 and 133–5. On Henry VI’s lack of ‘the capacity to rule’, see alsoR. L. Storey, The End of the House of Lancaster (London: Barrie & Rockliff, 1966), pp. 27 and 29–42. (14) Michael Hicks, The Wars of the Roses (New Haven: Yale University Press, 2010), p. 40; Storey, The End of the House of Lancaster, esp.
10) P. J. C. Field, Romance and Chronicle: A Study of Malory’s Prose Style (London: Barrie & Jenkins, 1971);Larry D. Benson, Malory’s ‘Morte Darthur’ (Cambridge, MA: Harvard University Press, 1976); Felicity Riddy,Sir Thomas Malory (Leiden: Brill, 1987); Catherine Batt, Malory’s ‘Morte Darthur’: Remaking Arthurian Tradition (New York: Palgrave, 2002), esp. pp. 1–35; Raluca L. Radulescu, The Gentry Context for Malory’s ‘Morte Darthur’, Arthurian Studies, LV (Cambridge: Brewer, 2003); Miriam Edlich-Muth, Malory and his European Contemporaries: Adapting Late Arthurian Romance Collections (Cambridge: Brewer, 2014).
Romancing Treason: The Literature of the Wars of Roses by Megan Leitch